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SUMMARY:Rodrigo Chocano: Jazz in Malambo: Afro-Peruvian Musicality...
DTSTART;TZID=Europe/Berlin:20250505T160000
DTEND;TZID=Europe/Berlin:20250505T180000
DTSTAMP:20261005T192139Z
UID:a242a50afaba4c4a9361e2d8d7bb24ef@www.iak.uni-bonn.de
CREATED:20250402T082222Z
DESCRIPTION:... Jazz\, and Racialization  in Lima in the Wake of a Global 
 Black Modernity (1917-1931)\n\nIn this presentation\, I analyze how the gl
 obal popularity of African-American jazz-related genres informed local ide
 as about Afro-Peruvian musicality in Lima in the 1920s. The popularity of 
 jazz\, charleston\, and fox-trot in Lima captured the attention of the spe
 cialized local media In assessing jazz vis-á-vis their local understandin
 gs\, Limeño intellectuals and journalists engaged not only with musical s
 ounds but also with the commentary of European writers on so-called savage
  African-American genres\, musicians\, and dancers that "invaded" their co
 untries and seduced their youth. Those matters resounded with the concerns
  of Limeño intellectuals about Afro-Peruvian communities—which they saw
  as the premodern\, submissive stewards of their traditions—progressivel
 y embracing jazz and other forms of modern entertainment.
LAST-MODIFIED:20250906T022149Z
URL:https://www.iak.uni-bonn.de/de/institut/abteilungen/altamerikanistik/v
 eranstaltungen-1/rodrigo-chocano-jazz-in-malambo-afro-peruvian-musicality
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